And that final shot of Godzilla's tail, the tip encrusted with human remains though poignant and creepy also seemed ambiguous and was perhaps either a foreshadowing of what's to come or a reminder that we shouldn't allow the careless dumping of radioactive waste in case of, you know, suffering, death and destruction. Two things about the end: Godzilla is frozen solid but zero mention is made about Nippon's next step in dealing with Gojira, who is perhaps a bit over-powered in this film, before it warms up, automatically triggering a US nuclear strike on Tokyo. I get it, but I personally prefer Godzilla battling the 'bad' monsters sometimes with Mothra's help, with the tiny twin islanders who helped sing Mothra out of hibernation lol.

The only thing I didn't 100% enjoy about this film is that (spoilers follow:) Gojira is a negative force of nuclear-waste fission-powered destruction much as he was in the original 1954 Gojira. Shin Godzilla also demonstrates how pushy the USA can be at times on several levels, but thanks to the Kayoko Patterson character, the capable, shrewd, charming and deeply-appreciative of her Nippon heritage US envoy to Japan, also capable of true goodness. Must admit to having fallen in love with the woman playing the low-level but intelligent, capable and brave Nipponese government biologist, Mikako Ichikawa and Satomi Ishihara, who played the politically-aspiring US Senator's daughter whose grandmother survived the US nuclear attacks at the close of WW 2 (ladies, please post a reply here if by some chance my feeble words of praise evoke positive affect lol). Especially interesting is the clear criticism of Nipponese bureaucracy. As a long time fan of the Godzilla films including the recent Netflix-produced animated trilogy and many of the others save for the 1998 film effort starring Matthew Broderick, Jean Reno, et al, I was very pleased with almost all aspects of Shin Godzilla from the special effects to the acting, music, you name it, all top-notch.

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